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Check Out Clay Stanley’s Story

Today we’d like to introduce you to Clay Stanley.

Hi Clay, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
My number one obsession in life has always been movies. Since I was 4 years old, my father would take my brother and I to the local library in Front Royal, VA to check out a book and a couple of movies. This collection however, contained almost no modern films at all. Everything on their shelf were movies dating from the 1920s to the early 70’s. I became obsessed with Dracula, Frankenstein, Creature from the Black Lagoon, etc. Anything with monsters and in black in white was fine by me. As I got older, my taste in movies expanded, and I knew that what I wanted to do with my life was to tell stories.

All throughout my life I have written scripts, made short films, and worked on sets. Once COVID hit, I worked remotely, monitoring the ESPN livestreams but I wanted to be behind a camera. I must have applied for over 100 jobs on LinkedIn with the work “video” or “camera” in the title. The following week, I see an email from Paperboys Films with the subject reading “Lead Videographer position.” My net was cast so wide that I didn’t even remember applying for that job so I did a Google search and was bummed when I found out they were a wedding videography company. I didn’t want to shoot weddings. I wanted to work in the narrative space. That night, I came across an interview on YouTube of one of my favorite filmmakers, Sidney Lumet, giving his advice to young directors. He said, “take any job where you get behind a camera. There’s no bad work.” Right then I decided to take the job even though I was terrified. I filmed one wedding before this and I just remember it being stressful but I took the job anyway and moved to Fredericksburg, VA.

During my 2 years working for Paperboys, I must have shot and edited roughly 80 weddings. Trial by fire sounded like paradise. In that time, I learned almost everything I know about filming weddings and it gave me the confidence to give it a shot on my own in 2022 and I am still going today. lot of wedding videos I see rely more on image quality rather than trying to tell a visual story. It’s tough. Especially on a day where you only get one shot to get the shot, it’s easy just to get a collection of little slow motion clips and edit them to dramatic music (which I am and have been guilty of). Telling a story can be tricky but that is my main priority.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
Typical small business story. Good months and bad months. Trickiest part was trying to figure out how to structure everything while having barely any money for advertising. These days my bookings have primarily come from word of mouth. Clients telling their friends about me so when they get married they book me.

Trying to find and balance another job on top of running Set in Stone was another challenge as well.

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I make wedding videos. Originally, I would show up to a wedding and do alot of posing and directing couples for portraits but these days I have taken a more fly on the wall approach. I see so many wedding videos that are just slow motion shots of everything but what’s missing are the little moments that pass the couple by as the day goes on. My goal is to both transport the couple back to their wedding day by showing them the moments they remember along with moments they may have missed.

What matters most to you? Why?
Small moments. Every important life event is a collection of little organic moments that take us back in time at a glace.

Contact Info:

Two women in wedding dresses holding hands, facing each other outdoors at night with trees in the background.

Two women in wedding dresses holding hands, facing each other outdoors at night with trees in the background.

People near boats and a building with a sunset sky in the background.

Aerial view of green fields, farm buildings, and roads in a rural landscape with hills in the background.

People holding sparklers at night, some wearing red dresses, with bright sparks and blurred background.

Table setting with knife, gold forks, a glass, a menu, and a salad on a blue napkin.

Close-up of a couple touching foreheads, smiling, with a blurred outdoor background.

Two women stand indoors near windows with shutters, holding hands and facing each other, one in a pink dress and the other in a white gown.

Snow-covered landscape with hills, a river, and trees, under a cloudy sky.

Person standing in doorway with open curtains, outdoor scenery visible, warm lighting inside, daytime.

Sunlight streams through a window with curtains, illuminating a staircase and a flower arrangement on a table.

A bride in a white wedding dress stands surrounded by women in a room with natural light from a window.

A woman in a wedding dress stands in front of a mirror, illuminated by sunlight through large windows, holding a bouquet.

Double exposure of a woman with closed eyes and a landscape background, blending her face with nature elements.

A couple stands in a field of tall grass, with trees and cloudy sky in the background.

Elegant table setting with a gold charger plate, white napkin, and silverware, with a menu on the plate.

Woman in wedding dress standing in doorway opening to outdoor patio with trees, chairs, and table, sunlight filtering through trees.

Two women are engaged in a moment, one with hands clasped near face, the other smiling in the background.

Bride and groom celebrating outdoors with friends and family, holding bouquets and glasses, trees in background.

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